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Rakesh Chaurasia

Rakesh Chaurasia- Swarbhaskar festival 2013, Pune

Winter is the season of concerts. I somehow find winter to be most pleasant season around. The first reason is, it is truly a pleasure to sit silently in sunlight early in winter morning. The another reason is, winter is,the season of concerts.  In these four months of winter, dozens of concerts take place. So, for almost three months ahead, we will be fortunate enough to enjoy dozens of enchanting concerts.

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Rakesh Chaurasia performing in Swarbhaskar Festival Pune, 2013

the series has already started with a wonderful concert given by Rakesh Chaurasia. As Rakesh Chaurasia says, he enjoys playing for Pune audience. It is in a way true. Every year he comes to Pune and delights the music lovers with many memorable concerts.  The another remarkable point is, he always plays something new. We have  attended around eight concerts where he performed. Every concert was unique with a different raga played. We were quite curious to see which Raga he chooses for Swarbhaskar Festival.

the entire audience was excited when Rakesh Chaurasia said he would be playing Raga Janasammohini. Considering the time constraints, he explored the raga briefly but thoughtfully. After that he started playing Raga Jog, one of the most loved late night melody. Jog is a popular Raga, with quite strong and intoxicating flavor which depends a lot on how the performer uses two Gandhars- the sharp and the flat. I liked the way he posed both of these notes and used them to establish the mood.

considering the limited time available, he switched to Pahadi. Rakesh Chaurasia has played Pahadi in almost every concert he gave. Everytime he explores it in a different way. The concert concluded with the ever green tune of Vaishnav Jan to.

It is really nice to see not only consistent but more and more refined performances from Rakesh Chaurasia. He is performing with Ustad Zakir Hussain at Ganesh Kala Krida Manch, Pune on 08 Nov. 2013. I guess, that is the most exciting concert of the season!

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Rakesh Chaurasia

Rakesh Chaurasia- Some intimate moments

I remember a stage where I could listen to flute played by Pt. Hariprasad Chaurasia only. Rakesh Chaurasia broke the tradition. Flute was made popular and established as an instrument in the world of Indian Classical Music by late Pt. Pannalal Ghosh. Personally, I could never enjoy Pannalal Ghosh’s music. For me, it missed something.

The first instance when I listened to Rakesh Chaurasia was somewhere in 2009, when I listened to his record of Raga Hansadhwani. This recording did not make any special impact on me. I missed one of his concerts in Pune, in 2009 which was arranged somewhere near Karve Nagar. The first chance to listen to Rakesh Chaurasia came when he performed live at Garware College auditorium, Pune.  Rakesh Chaurasia played Raga Puria Kalyan that day. Pt. Hariprasad Chaurasia has played the same Raga in an album named Possession in Osho Ashram, Pune. I have never listened to a Puria Kalyan of that quality. I even now keep on listening to this record as it has non-diminishing beauty. Considering all this, it was quite a big challenge to perform Puria Kalyan and create a lasting memory.

Rakesh Chaurasia was absolutely successful in doing this herculean task. I can still remember the Puria Kalyan played by him, very skillfully and innovatively. This is not the only concert which we attended. After this concert, we have not missed even one of his concerts in Pune. We met him couple of times. I and Dakshayani used to chase him so much that at one concert, Rakesh Chaurasia stopped and asked if we follow him like his shadow!

Out of all these concerts, the concert which I enjoyed the most is the one which was organized by Bedekar Ganpati Mandir in Pune. This temple is a very small temple located in Pune which has a long tradition of organizing outstanding Indian Classical performances. As the temple is really small, we were sitting just 6 feet away from Rakesh Chaurasia and Vijay Ghate who was accompanying him on Tabla. He played Raga Durga, then Kirwani and after that Bhairavi. The concert went off more like a personal concert offered for handful of visitors though there was huge crowd.

Being a flute player and a student of vocal music, I am a great admirer of Rakesh Chaurasia, amazed by the level of his performance. He stands tall on all the fronts- practice, skills, innovation, devotion and the most important, dedication.

While having a long discussion with him in Pune, we slipped a small card in his hands. The card read-

‘Krishna was not as fortunate as Pt. Hariprasad Chaurasia as he did not get a disciple like Rakesh Chaurasia’


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Rakesh Chaurasia

Rakesh Chaurasia – The rebirth of flute

Why Rakesh Chaurasia?

In many previous articles, I talked about famous musicians of India like Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur. These articles can be read here-

Pt. Hariprasad Chaurasia – a living wonder

Pt. Nityanand Haldipur – Essence of simplicity

This is for the first time that I am talking about Rakesh Chaurasia. I liked him the moment I saw him for the first time. As far as i am concerned, I feel that every artist carries some aura around him. There are many great musicians, who are truly great artists but I don’t like their aura. In case of Rakesh Chaurasia, his presence spoke much about him. One can feel freshness, energy, openness from his being. So is his music.

Rakesh Chaurasia

Well, I never missed his single concert in Pune. The reason is his unparalleled flute performance. He is unmatched, in true sense. Rakesh Chaurasia comes with exceptional skills. He has really mastered the flute. His patterns are also out of mind. His entire performance is like a power pack.  When he starts, he is unstoppable. In all the concerts I attended, he played different Ragas without repetition. Every Raga was mastered. It was not like a few Ragas mastered. We sat 4 feet away from him in one concert at Bedekar Ganpati Temple in Pune and he played Raga Durga. It was really unimagined version of Durga. I could never imagine that some one will be able to play this Raga so ably.

Rakesh Chaurasia is a humble person. humble nature cannot be an excuse for lack of skills but it complement your skills. Same  happens in this case. Everything meets to make a perfect blend- talented, skilled, humble and humorous artist. Apart from this, he has deep respect for his Guru and his uncle, Pt. Hariprasad Chauraisa. When we met him, most of the time he was engrossed in talking about his uncle and not about himself. It is really rare to find all these qualities together in an artist of today’s generation.

You can enjoy his recording of Raga Des here-

Rakesh Chaurasia- Raga Des

 

 

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Pt. Nityanand Haldipur – The essence of simplicity

Flute is the magical instrument, which is more magical in hands of Pt. Nityanand Haldipur. It is utterly simple yet very mesmerizing. To play flute is an art. To play it nicely is a meditation. To be honest, I have heard almost all the flute players India has. I liked Pt. Hariprasad Chaurasia the moment I heard his flute. Same happened with Rakesh Chaurasia, the talented disciple and nephew of Pt. Hariprasad Chaurasia.Zemanta Related Posts Thumbnail

Apart from these two exponents of flute, there was no one who could give the divine test of flute. A third name entered the list when I got a chance to listen to Pt. Nityanand Haldipur. Both Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur are disciples of goddess Guruma Annapurna Devi. But, it’s really difficult to make out that same person is the sculptor of both of these artists. You can make it out only if you have the ability to sense the divinity behind the notes.

Both Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur are travelling on the same mystical path of music. The only difference is, their apparent ways are different. Pt. Nityanand Haldipur’s music is so simple that its simplicity makes it very special. It is quite difficult or I would say almost impossible to get a chance to listen to such simple music. This simplicity makes the music magical. This simplicity carries the essence of meditation.

It is a fact that it is quite difficult to understand the magic of his music. Over the time, we have lost our sensitivity for simplicity. Only special and extra ordinary things attract us. In this race of being more and more extra ordinary, we have lost our touch with the simple things. Hence, it is almost impossible today to find something utterly simple. Though his music sounds simple, it is absolutely difficult to play so. Each note is a master’s stroke.

I don’t know how many people have ability to enjoy mystical music of Pt. Nityanand Haldipur. I guess, it is God’s grace that I can dissolve myself in the web of his notes, sitting silently.

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