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Raga

Jhinjhoti- The song of hopelessness

Sometimes I just wonder about some Ragas and moods they create. There are more than hundreds of Ragas in Indian Classical Music, each different from the others. I wonder what led to creation of so many ragas. Some say Ragas were ultimately created by picking up some phrases from folk music which sounds quite reasonable. But I don’t think this is true for all Ragas. I feel some ragas are indeed created by some persons, saints or meditators to be precise and then these tunes came into folk or classical music.

What makes me think so is the feelings created by these ragas. A common man is far from feeling these emotions and hence a raga portraying these emotions won’t come from him.

I think Jhinjhoti is such a Raga. I listened to it first time when I was a tenth standard student. I had purchased a cassette in which Pt. Kumar Gandharva had sung this Raga.

“Its so boring and sad kind of raga”, I had muttered and had almost concluded that I wasted my money on this record. Many of my friends who are learning Indian Classical Music often do not take troubles to listen to this Raga as it is utterly sad and boring.

I remember those days when I was a heavy meditator, somewhere around first or second year of engineering. I happened to listen to Rasdhara, an album where Pt. Shivkumar Sharma and Pt. Hariprasad Chaurasia have played Raga Jhinjhoti together.

During those days, I had started to realize that I need to find my own way. Rather it was a beginning of the journey within. During those days, for the first time I had tasted the situation where one does not have any hopes. It was rather a state of hopelessness but quite different than usual hopelessness. The Jhinjhoti played by Pt. Shivkumar Sharma and Pt. Hariprasad Chaurasia together was a perfect potion. I remember watching people running on a narrow street right from my balcony while listening to Jhinjhoti played by these two stalwarts I still remember the way I saw it- utterly mechanical, running blindly behind their hopes or even for satisfying others’ hopes. We are hopeless when some hope which we projected does not get fulfilled. Hope is the engine which keeps our lives moving. And when certain hope is not fulfilled or destroyed, we become hopeless. This hopelessness lasts until we find a different set of hopes.

The hopelessness which I faced at that time was quite different, it was a state where you realize this complete cycle of hope and hopelessness. At that time, you are totally stagnant- as the engine to pull you is missing. Raga Jhinjhoti rather sings out this state of ‘no hope’. Those who have not tasted this kind of hopelessness find it sad and boring.

Since that point, Jhinjhoti is not boring, but a companion on the way. I met many versions of Jhinjhoti so far, some resonating with my understanding and some not.

I could feel this flavor in the Jhinjhoti played by Pt. Nityanand Haldipur. It makes you silent- taking you away and making you a witness to your own mind and your own hopes. It rather reminds me of the sea outside Guruma’s house, having infinite turbulence and energy but still without any hopes.

Another Jhinjhoti, the one to which I am listening while writing this article is the one sung by Pt. Kumar Gandharva, the same which I had found boring a few years ago. At that time, I was certainly a guy who had many hopes and wanted to fulfill them. It is quite reasonable that I refused to enjoy Jhinjhoti at that time. I think the correct time had not yet come at that time.

I have listened to Jhinjhoti played or sung live by many great artists. Not all of them pitch the same flavor and I do not expect them to do so. But when I listen to any rendering of Jhinjhoti, I always see if this intangible ‘hopelessness’ pours out of it or not, but I certainly do not ‘hope’ that it should always exist.

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Famous Musicians of India

Milind Sheorey – The Divine Confluence

When I listened to Shri. Milind Sheorey for the first time, I remembered what Pt. Shivkumar Sharma said in ‘Antardhwani’, a documentary made by national film archives exploring the journey of this Santoor Maestro.
He says-

A Guru should not look at sculpting dozens or hundreds of disciples. Even if you are able to create one or two disciples who can understand the music of  Guru and then add something of their own to it, that is more than enough.

As my observation goes, this is quite true. Musicians cannot be bulk produced. At the same time, three factors play their role simultaneously. The first is disciple’s hard work- both as a musician and a human being, second is finding a Guru and the third and the last is the divine grace.
I feel, when all these three factors work out together positively, a great musician is born. It is quite clear that rarely something like this happens. It happened with Pt. Hariprasad Chaurasia, it happened with Pt. Nityanand Haldipur and yes, it is happening with Shri Milind Sheorey.

Gurumata Annapurna Devi- The river of knowledge

Gurumata Annapurna Devi, who is taking efforts beyond human capacity to transfer the treasures of knowledge which she has, is very lucky as far as getting disciples is concerned. I could meet and have a discussion with Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur. During our discussions with both the artists, we realized the tremendous efforts taken by Annapurna Ji and also the two disciples. Listening to Shri. Milind Sheorey made me realize that the chain does not end with these two artists.
Though Milind Sheorey learned music from same Guru, his style is very different than his two Gurubandhus. As Nityanandji had rightly said, Annapurna Ji crafted each disciple considering his personality and skills. As it is said, true Guru never forces his knowledge own disciples but tries to understand each disciple and cultivates him accordingly.
Being accepted as a disciple by Annapurna Ji is in itself a big thing- it certifies that you are honest with your art. Being accepted by a godly Guru is a difficult thing to happen. But, being with such Guru and trying to manifest her dreams is even more difficult. When a demanding Guru and a hardworking disciple comes together, the third factor has to come into the picture- the grace of the god.

Miilnd Sheorey and his Music

It is quite visible from Milind Ji’s performances that he plays Ragas which are generally not played on flute. It is a feast to listen to Ragas like Shuddha Kalyan, Puriya Dhanashree on flute which are generally played on string instruments. As one can imagine, the task is not that easy, I would say, it is not at all easy. Flute is a very different kind of instrument as compared to string instrument where the show is managed by artist’s breath.
Before this, I had listened to such ‘non flute’ Ragas being performed on flute but one could easily make out that something is missing and not fitting. When I gave a try to Milind Sheorey’s rendering, there was nothing missing. It had superb blend of stable breath, correct approach to play the notes, immense continuity.
I am sitting here, close to Annapurna Ji’s house, listening to Puriya Dhanashree, played by Shri. Milind Sheorey. It is a perfect evening, with winds blowing without any control and sea roaring. Milind Sheorey has reached to some different height, and his music is accommodating enough to take me also there, with him. The sun is about to collapse in the sea and the curtains are dancing. So are the notes, though a bit constrained by the rhythm.
Osho says music should bring you to your origin. It should make you look inside. That is what happening. At this time, I am experiencing the three factors pouring in- the hard work of this disciple, the perfect Guru and yes, the grace of the almighty, blowing around as wildly as these winds.

You can further read this article talking about Pt. Kumar Gandharva

Please enjoy this rendering of Raga Kedar by Milind Ji-

 

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Famous Musicians of India

Ustad Zakir Hussain : Music hijacked by the divine

I have interviewed and written about many artists on this website till date. This is first time when I am writing something about Ustad Zakir Hussain. I have countless memories which resonate with divine music of Ustad Zakir Hussain. Infinite impressions are created both by his music and his being. As I have many times said, an artist is not only his art but a lot more than that. Zakir Bhai, in true sense has a lot of this ‘lot more’.

zakir bhai
Zakir Hussain, through his music, has helped me many times and I am very much sure that I am one of the countless persons who are knowingly and unknowingly helped by his music. Through his music, I have learnt many lessons and learned a better way to live my life. One might wonder how listening to a Tabla performance can teach someone so many things. But yes, if the music is hijacked by the god, it can even wake up the dead.

Zakir Hussain and other Tabla players

Though I do not like to compare artists, I always like to discuss what makes the tallest peak ‘the tallest’. Undoubtedly, Ustad Zakir Hussain is the tallest peak in world of Tabla today. I have attended many concerts where Tabla was either a solo instrument or an accompanying instrument. These concerts were given by different Tabla players, Zakir Hussain being one of them. Keeping my eyes open helped me to learn many things about him which in my opinion differentiate him from the others. I will share them one by one.

1. Understanding music of the main performing artist

Ustad Zakir Hussain has tremendous understanding (sometimes even more than the main artist himself!) of the way artist he is going to accompany performs. If you listen carefully, other Tabla players play in same way every time, with every instrument and everty artist. On the other hand, the way Zakir Bhai plays changes with the artist, changes with the instrument. The way he accompanies Santoor is different than the way he accompanies Sitar or flute. In order to attain this level of performance, the accompanying artist has to have a deep understanding of the instrument and also the artist. On this front, he is beyond any parallel in today’s world.

Ustad Zakir Hussain

2. Thorough knowledge of sound system and acoustics

As we do, artists also tend to avoid the technical part- acoustics and sound check. My experience tells that Zakir Hussain has in depth knowledge of sound systems, acoustics and other technical things. In all the concerts I attended, Zakir Bhai religiously did the sound check, paying attention to the finest of the details. As a result, each of his concert is supported by highest quality of sound.

3. Humbler than the humblest

I respect Zakir Hussain for his humble nature. His humbleness is not borrowed. It is not for show. He is humble. It is very natural in his being. I have always seen him respecting old and learned people, forgiving organizers for small mistakes. I remember one of my friend telling me his first-hand experience where after a concert, Ustad Zakir Hussain lifted the Chappals (Indian type of footwear) of Pt. Shivkumar Sharma and brought them to him. In fact, his understanding of music of other artists also comes from this humble nature.

Zakir Hussain as an accompanist

I look at Zakir Hussain as best accompanying artist. I also remember the lit up faces of many music lovers when they came to know that the particular artist was being accompanied by Zakir Hussain. As already discussed, he has good understanding of different instruments and artists and he performs accordingly. Is that the only thing which separates him out? No, and the list is very long.

1. Pt. Shivkumar Sharma and Zakir Hussain

 

If someone asks me about which concert would be my highest priority concert, it would be this combination where Pt. Shivkumar Sharma is accompanied by Ustad Zakir Hussain. I remember a concert by these two great artists where Pt Shivkumar Sharma said that accompanists like Zakir Bhai are rarely born. The music of Pt. Shivkumar Sharma is meditative. His strokes and patterns are meditative. If the accompanying artist is not aware of this fact, his strokes tend to disturb this meditative quality of the music. The legacy of Zakir Hussain rests in the fact that his Tabla always adds to the meditative quality of music and it never disturbs it.

Accompanying Pt. Shivkumar Sharma is one of the most difficult task as the artist has to be highly attentive. Many times, a clear stress can be observed on the faces of artists accompanying him when they realize that they have lost it!

  I still remember a concert which took place around three years ago, at Ganesh Kala Krida Manch, Pune, where Pt. Shivkumar Sharma was accompanied by Zakir Hussain. The theatre was full, with not a single chair empty. It was the last part- the climax of the concert, very end of fast composition in Raga Puriya Kalyan.

At that point, where both the artists could not afford to stop for even a fraction of second, one stoke of Ustad Zakir Hussain slipped a bit. Hardly anyone of thousands of people noticed it- it was a very subtle issue. The greatness of Zakir Hussain is, he touched his right ear even at that moment.

I appreciate this honesty, of accepting one’s mistake, so small that no one can even notice it. On the other hand, I have seen many famous Tabla players going out of rhythm with a wide smile on their faces- to pretend the crowd that they are playing with rhythm and nothing has gone wrong.

2. Pt. Hariprasad Chaurasia and Ustad Zakir Hussain

Once, I had this opportunity to listen to Pt. Hariprasad Chaurasia and the accompanying artist was Zakir Hussain. I could not attend the concert as I had to visit another city. But, I have an album, named Posession where Hariji and Zakir Bhai perform together at Osho Ashram (Now Osho International Meditation Resort, Pune). The album has Ragas Hansdhwani, Puriya Kalyan, Kala Ranjani and Pahadi.

This album possession truly shows what Zakir Hussain is. His Tabla talks with the flute. One can feel that both the instruments are having a conversation with each other. Infinite number of times I have listened to all of the recordings but still, they are fresh and they are alive.

3.Ustad Zakir Hussain: The king of Humor

Zakir Bhai is one of the most lively and humorous artists. His humor is pure, fresh and innocent. I have many impressions of his humorous behavior left on my heart. I remember a concert where the anchor was praising him without any limits. Silently, Zakir Bhai left his seat, stood behind the anchor and made him horns with his hands!

In another concert, where Niladri Kumar was frustrated while tuning his instrument (and which was not getting tuned), Zakir Hussain called him and asked him if he needs the hammer to tune it.

Zakir Hussain as a Solo Tabla Player

Playing Solo Tabla demands an altogether different judgment and RIyaz compared to playing Tabla as an accompanying artist. If you have to be best at both, you have to be Zakir Hussain.
Everyone has his own purpose behind watching or listening to any art form. What is my purpose? What am I looking for when I attend a concert? During a concert, if the artist is divine enough, there comes a time where the controls of the performance shift from artist to the divine. This is what I call as ‘hijacked by the divine’. This transition is something for which the artist performs. I can experience this transition in Zakir Bhai’s music. Whenever I go to a concert, I am waiting for this transition- it may happen or it may not. When Zakir Hussain is performing, it always happens!

Related Articles-

Pt. Kumar Gandharva- The purpose behind a Tarana

Pt. Kumar Gandharva- The musician who made a difference

 

Categories
Famous Musicians of India

What did music teach me?

As far as I can remember my past, I find some place for music. The oldest memories which I have about myself, have a tint of music, a unique flavour of records of Pt. Bhimsen Joshi that my father used to play in our house. Those days are still clear in front of me, now. Then came the days when I started practising music. I remember those days when my friends used to laugh on me; saying why you waste the time which you get to play. I do not know the reason, but I always loved sitting alone and practising my music than playing in a crowd of kids.

Almost always it happens with music students that they loose their touch with music when they face their tenth standard board exams. Same happened with me also. But, rare thing is, the thread connecting me and music did not break. It was a temporary separation.  When favourable conditions came, the love for music sprouted up. The reason behind digging out all these things is, an interesting discussion with a friend. The friend very bluntly asked me to tell him what I got out of spending so much of time.

As for as I am concerned, the question makes no sense. We do not do all things because we get something. Rather, doing some things bring so much of joy with them that you do not need any other reason. But still, I can understand the mindset of my friend. He also needs an answer for his rational mind. So, I ask myself: leave the joy aside. What else did I get from spending so much of time on music?

The answer is quite big. There are many outputs, some minor, some significant but all of them are valuable. Playing flute taught me how to be stable. It taught me the art of being unaffected by the surroundings. Stability of breath makes one’s life stable in all the situations. Practising music taught me to sit silently at a place, without getting tired and distracted. I sit in front of my Guru, listening for hours what he teaches. Music has improved my concentration and awareness.

Through this passion, I came to know so many divine artists and could meet them. Each of them taught me something different. I have not met many artists; their music teach a lot even in their absence. Guruma Annapurna Devi teaches us highest level of dedication; towards Gurus, music and even one’s disciples. She is an goddess who takes us beyond all the material aspects, where music is pure, divine. Pt. Shivkumar Sharma taught me meditation. He is simply a yogi. Pt. Hariprasad Chaurasia is a perfect incarnation of lord Krishna. His love and affection towards his disciples is phenomenal. Pt. Nityanand Haldipur teaches us to devote ourselves to our Gurus. It feels really blessed to be among all of them. The list does not end here. Pt. C.R. Vyas teaches us to manage day-to- day life and music together. His dedication, hard work, devotion are beyond imagination. Pt. Suhas Vyas teaches us how a Guru should be in changed scenarios where there are newer challenges in front of music learners.

The list is unending. There is so much to learn; lives will be insufficient to contain all this wisdom.  What music has taught me is beyond all the books and scriptures. It needs a blessed one to get all this.

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Rakesh Chaurasia

Rakesh Chaurasia- Some intimate moments

I remember a stage where I could listen to flute played by Pt. Hariprasad Chaurasia only. Rakesh Chaurasia broke the tradition. Flute was made popular and established as an instrument in the world of Indian Classical Music by late Pt. Pannalal Ghosh. Personally, I could never enjoy Pannalal Ghosh’s music. For me, it missed something.

The first instance when I listened to Rakesh Chaurasia was somewhere in 2009, when I listened to his record of Raga Hansadhwani. This recording did not make any special impact on me. I missed one of his concerts in Pune, in 2009 which was arranged somewhere near Karve Nagar. The first chance to listen to Rakesh Chaurasia came when he performed live at Garware College auditorium, Pune.  Rakesh Chaurasia played Raga Puria Kalyan that day. Pt. Hariprasad Chaurasia has played the same Raga in an album named Possession in Osho Ashram, Pune. I have never listened to a Puria Kalyan of that quality. I even now keep on listening to this record as it has non-diminishing beauty. Considering all this, it was quite a big challenge to perform Puria Kalyan and create a lasting memory.

Rakesh Chaurasia was absolutely successful in doing this herculean task. I can still remember the Puria Kalyan played by him, very skillfully and innovatively. This is not the only concert which we attended. After this concert, we have not missed even one of his concerts in Pune. We met him couple of times. I and Dakshayani used to chase him so much that at one concert, Rakesh Chaurasia stopped and asked if we follow him like his shadow!

Out of all these concerts, the concert which I enjoyed the most is the one which was organized by Bedekar Ganpati Mandir in Pune. This temple is a very small temple located in Pune which has a long tradition of organizing outstanding Indian Classical performances. As the temple is really small, we were sitting just 6 feet away from Rakesh Chaurasia and Vijay Ghate who was accompanying him on Tabla. He played Raga Durga, then Kirwani and after that Bhairavi. The concert went off more like a personal concert offered for handful of visitors though there was huge crowd.

Being a flute player and a student of vocal music, I am a great admirer of Rakesh Chaurasia, amazed by the level of his performance. He stands tall on all the fronts- practice, skills, innovation, devotion and the most important, dedication.

While having a long discussion with him in Pune, we slipped a small card in his hands. The card read-

‘Krishna was not as fortunate as Pt. Hariprasad Chaurasia as he did not get a disciple like Rakesh Chaurasia’


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Famous Musicians of India

Annapurna Devi – So far, so close

Life is really strange. I am always fascinated about Indian Classical Music performers. I always attend the concerts, listen to the records and am submerged in the world. As the years passed, this affection moved to a higher state. I entered a state where I wanted to meet the artists and talk to them.

I am not sure if this is going to do anything better for me; still, I like to meet all these artists. I was quite successful at this. I could meet almost all of these artists. Indian Classical Musicians are magical. They carry a grace with them. Many times, the artist is not a famous artist, but still I meet him because fame does not define an artist.

While being on this journey, I came to know about Guruma Annapurna Devi. Annapurna Devi is the highest peak in the world of Indian Classical Music. I have not been fortunate enough to listen to her performance. But, I am fortunate enough to listen to and also understand the music of her disciples like Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur.

I remember those days when I was honestly trying to know more about Guruma Annapurna Devi. Though I could not meet Guruma, because of this thirst, I could know more about three beautiful persons on this earth- Pt. Nityanand Haldipur, Pt. Suhas Vyas and Prof. Roohikumar Pandya. At that time, I had taken tremendous efforts to find out the place of Annapurna Devi. I went to her apartment and was fortunate enough to meet Prof. Rooshikumar Pandya.

Today, I have my house at a distance of ten minutes walk from her place. My apartment faces the same sea. When I go to Mumbai, I cross her apartment twice a day. Guruma Annapurna Devi is so close. The tall Akashganga Tower is so close. But still, Guruma is far away, inside her apartment.

Every time, when I pass from  Akashganga. I sadly laugh on this coincidence relating to Annapurna Devi. So close, and still, so far. I am trying to reduce the distance from my side. I know, there is no distance created from Guruma’s side. I am the reason for the distance. It will vanish some day, I am sure.

Click there to read more about pt. Nityanand Haldipur

Click here to read more about pt. Hariprasad Chaurasia

 

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Pt. hariprasad Chaurasia Pune

Pt. Hariprasad Chaurasia in Pune Festival 2013

Generally, in India, Kerala is considered to be god’s own land. For me, Pune is gods’ own land. Of course, my context is totally different. Kerala, one of the most beautiful states in India is blessed with incomparable natural beauty. Pune has its own reasons to be called as gods’ own land. Pune is gods’ own land because gods often come to Pune.

Who are these gods? For me, they Pt. Shivkumar Sharma, Pt. Hariprasad Chaurasia, Ganasaraswati Kishori Amonkar and many more artists are these gods. They come to Pune and have blessed this city with their divine music. For many days, we did not have a single good concert in Pune and hence, I was desperately waiting for some concert. This thirst is soon going to be fulfilled. Pt. Jasraj and Pt. Hariprasad Chaurasia are performing a concert Panchtatva in Pune Festival. I again got a reason to consider myself blessed.

I keep all the activities of the day aside and travel a lot to get passes. After getting the passes I am really happy. This situation is worth thinking. Why it makes music lovers so happy if they get an opportunity to listen to their loved artists? The credit goes to both; the artists as well as the listeners. I just came across a video recording of Pt. Hariprasad Chaurasia. He is old. He looks to be tired. But when he is playing, he is at ease. His breath is relaxed; as natural as wind blowing through woods. His ease, the flow in his breath, the flavor created by his fingers and his breath, his steady, firm exploration are all beyond human capacity.

Each Raga has a unique nature. Its unique nature and presence is the identity of the raga. Pt. Hariprasad Chaurasia gives you the perfect taste of the Raga. You can almost personalize the Raga. It gets a perfect personality, with emotions and nuances.

Pune Festival is having a performance of Pt. Hariprasad Chaurasia. I am eager to feel his meditative breath resonating in the Bamboo energized with hours of this meditative resonance.

View all concert Reviews

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Rakesh Chaurasia

Rakesh Chaurasia – The rebirth of flute

Why Rakesh Chaurasia?

In many previous articles, I talked about famous musicians of India like Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur. These articles can be read here-

Pt. Hariprasad Chaurasia – a living wonder

Pt. Nityanand Haldipur – Essence of simplicity

This is for the first time that I am talking about Rakesh Chaurasia. I liked him the moment I saw him for the first time. As far as i am concerned, I feel that every artist carries some aura around him. There are many great musicians, who are truly great artists but I don’t like their aura. In case of Rakesh Chaurasia, his presence spoke much about him. One can feel freshness, energy, openness from his being. So is his music.

Rakesh Chaurasia

Well, I never missed his single concert in Pune. The reason is his unparalleled flute performance. He is unmatched, in true sense. Rakesh Chaurasia comes with exceptional skills. He has really mastered the flute. His patterns are also out of mind. His entire performance is like a power pack.  When he starts, he is unstoppable. In all the concerts I attended, he played different Ragas without repetition. Every Raga was mastered. It was not like a few Ragas mastered. We sat 4 feet away from him in one concert at Bedekar Ganpati Temple in Pune and he played Raga Durga. It was really unimagined version of Durga. I could never imagine that some one will be able to play this Raga so ably.

Rakesh Chaurasia is a humble person. humble nature cannot be an excuse for lack of skills but it complement your skills. Same  happens in this case. Everything meets to make a perfect blend- talented, skilled, humble and humorous artist. Apart from this, he has deep respect for his Guru and his uncle, Pt. Hariprasad Chauraisa. When we met him, most of the time he was engrossed in talking about his uncle and not about himself. It is really rare to find all these qualities together in an artist of today’s generation.

You can enjoy his recording of Raga Des here-

Rakesh Chaurasia- Raga Des

 

 

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music

Pt. Nityanand Haldipur – The essence of simplicity

Flute is the magical instrument, which is more magical in hands of Pt. Nityanand Haldipur. It is utterly simple yet very mesmerizing. To play flute is an art. To play it nicely is a meditation. To be honest, I have heard almost all the flute players India has. I liked Pt. Hariprasad Chaurasia the moment I heard his flute. Same happened with Rakesh Chaurasia, the talented disciple and nephew of Pt. Hariprasad Chaurasia.Zemanta Related Posts Thumbnail

Apart from these two exponents of flute, there was no one who could give the divine test of flute. A third name entered the list when I got a chance to listen to Pt. Nityanand Haldipur. Both Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur are disciples of goddess Guruma Annapurna Devi. But, it’s really difficult to make out that same person is the sculptor of both of these artists. You can make it out only if you have the ability to sense the divinity behind the notes.

Both Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur are travelling on the same mystical path of music. The only difference is, their apparent ways are different. Pt. Nityanand Haldipur’s music is so simple that its simplicity makes it very special. It is quite difficult or I would say almost impossible to get a chance to listen to such simple music. This simplicity makes the music magical. This simplicity carries the essence of meditation.

It is a fact that it is quite difficult to understand the magic of his music. Over the time, we have lost our sensitivity for simplicity. Only special and extra ordinary things attract us. In this race of being more and more extra ordinary, we have lost our touch with the simple things. Hence, it is almost impossible today to find something utterly simple. Though his music sounds simple, it is absolutely difficult to play so. Each note is a master’s stroke.

I don’t know how many people have ability to enjoy mystical music of Pt. Nityanand Haldipur. I guess, it is God’s grace that I can dissolve myself in the web of his notes, sitting silently.

Read All Articles on Pt. Nityanand Haldipur 

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Pt. hariprasad Chaurasia

Pt. Hariprasad Chaurasia – A living wonder

If you consider may be thousands of people, out of them two can appreciate music. If you take thousands of such music appreciating people, out of them one or two will take up some instrument and practice. Out of thousands of such such persons who sit and practice, one or two become great artists. And out of thousands of such great artists, one becomes Pt. Hariprasad Chaurasia.

Osho and Pt. Hariprasad Chaurasia
Osho and Pt. Hariprasad Chaurasia

Why Pt. Hariprasad Chaurasia is so special for me or for all music lovers? Not only that, he is very famous even in the circle of artists. What is so special about this person named Hariprasad Chaurasia? What he is made up of? Even enlightened soul like Osho was in Love with Pt. Hariprasad Chaurasia. The reason is, Pt. Hariprasad Chaurasia is a unique soul. He is not just an artist, he is much more.

Pt.  Hariprasad Chaurasia has a breath which is more beautiful than any person breathing on this earth. At the same time, he is one of the most humble personalities which have. He is very positive human being. What is an artist’s music? For me it is nothing but the benediction of your being, your skills, your thoughts as a person and essence of what you are apart from your thoughts.

Whenever I see hariji anywhere, his presence is so pleasant. So, his music is also bound to be pleasant. He is much more than an artist. He has taken efforts to ensure that the stream of music goes on. He has taken enough care that he leaves his music, flute in right hands.

Pt. Hariprasad Chaurasia is surely an incarnation of Lord Krishna…..