Mindblown: a blog about philosophy.
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Dear Indian Classical Musicians, Either Use a Tanpura Or Disassociate With Your Lineage!
In an ecosystem running on blatant lies and dogma, someone has to call a spade a spade. I am on that task today. If we make a list of fields where pride of tradition and culture of telling majestic stories of tradition and lineage prevails, Indian Classical Music would be in top five if not…
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यु. जी. कृष्णमूर्ती : एक वेडा संत
विसाव्या शतकात भारतात खरंतर नको तितके संत होऊन गेले. रमणा महर्षी, ओशो, जिद्दू कृष्णमूर्ती, मेहेर बाबा, निसर्गदत्त महाराज.. यादी करायची म्हंटली तर फार मोठी होईल. एखाद्या व्यक्तीचं संतात रूपांतर होणं म्हणजे दुर्लभ घटना. असं असताना देखील विसाव्या शतकात संतांची श्रीमंती होती. या सर्व यादीमध्ये एक महत्वाचं नाव वगळयल्या जातं. ते नाव म्हणजे यु. जी. कृष्णमूर्ती.…
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Kabir Doha on Guru and Guru’s Grace
To learn something, being with a Guru is inevitable. To land up on the truth, one has to unlearn. The role of a Guru in unlearning is equally or more important than it is in the process of learning. Sant Kabir has spoken many Dohas or couplets which highlight the role and importance of Guru’s…
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Kabir, J. Krishnamurti and Nisargadatta Maharaj : One Truth, Three Manifestations
One of the legendary vocalists of India, Pt. Kumar Gandharva would often say something about Ragas in Indian Classical Music which holds equally true for the absolute truth. As he would say, if you just know trunk of an elephant, you have not known the elephant fully. Knowing elephant fully means being able to recognise…
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How would have Sant Kabir responded to the COVID 19 crisis?
How has been the year 2020? I know, everyone would respond differently to this seemingly simple question. The major length and breadth of 2020 has been occupied by the most unexpected phenomenon : COVID 19. As I go out every morning or evening for the routine walk, I can see a shop or two closing…
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गायक त्याचं गाणं आणि त्याची भीती
साधारण चार वर्षांपूर्वीची घटना. अनेक वर्षांनंतर माझा गाण्याचा कार्यक्रम होता. मी आठवीत असताना माझं गाणं शिकणं बंद झालं. दहावी, त्यानंतर बारावी आणि मग नंतर अभियांत्रिकीचं शिक्षण; या सर्व व्यापात गाणं तसं मागेच पडत गेलं. अभियांत्रिकीचं शिक्षण संपलं आणि मग सुरु झाली नोकरी. नोकरी चांगली असल्यामुळे आणि माझे वरिष्ठ फारच समजूतदार असल्यामुळे गाण्याचा घरीच थोडा थोडा…
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Drushya, Darshak and Drashta : The Three Modes of Our Existence
Life in general is full of diversity. If we observe people around us, there is so much diversity in terms of what we do and how we do it. Some people believe in earning riches for themselves while some get peace by sharing their riches with others. Some choose the path of accumulation while some…
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What is Art and What Makes it Timeless?
What is Art? Can I call any expression art? If I can sing beautifully, is that an art? Or, if I can hold a pencil in my hand and draw something captivating, is that worthy of being called an art? Is the final product called art irrespective of taking a look at the process in…
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21st Century Crises Hovering Over Indian Classical Music
In ecosystem of any art form, one individual can play multiple roles; for example, I am a student of Indian classical music, I perform very rarely and I am an avid listener. As a listener of this magical art form and after listening to musicians from past three to four generations, I have my views…
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Kabir Ke Dohe : पिसती चक्की देख दिया कबीर रोय
पिसती चक्की देख दिया कबीर रोय। दुई पाटन के बीच साबूत बचा न कोय।। Meaning : Kabir cries when he looks at these grinding wheels, churning endlessly (Pisati Chakki) and mercilessly, crushing everyone in between them, not sparing anyone. This is one of the most commonly known Dohas or couplets of Kabir but…
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