Indian classical music- situation today
After attending many concerts, given by many different and famous musicians of India, I and Dakshayani always discuss that the situation of Indian classical music, especially that of vocal music is quite disappointing. This disappointment is not because of lack of exposure or organisors, but it is out of our experience- what did we feel after attending each concert. The sad truth is, we are losing the masters day by day. Indian classical music might have reached a state of fame and popularity but many of the artists of today’s generation are not successful in making their music alive.
Pt. Rajan and Sajan Mishra- performances in Pune
The feelings which I expressed above become denser when we listen to some performance of these old masters. Pt. Rajan and Sajan Mishra are the god fathers as far as making music alive is concerned. We are fortunate that we could listen to many of their concerts in Pune,all of them were masterpieces. The music is perfect with all the elements which are necessary for a good performance. One more thing about Pt. Rajan and Sajan Mishra which separates them out from others is the justice which they do to the being of raga they sing. They never overpower the raga they sing; rather they allow the raga to flow through the music.
Indian classical music- what makes it special
Another great vocalist from present period, Pt. Suhas Vyas was explaining us one day that great music comes out of a surrendered being. I liked this statement a lot, also it matches with our own experience. To be a good musician, the musician has to be a surrendered being. I will need help from famous saint Kabir to put this in words. In one of his divine dohas, Kabir says,
Prem gali ati sakri, ta me do na samay
Ya tum, ya hari.
(In narrow lane of love, either you exist or the god.)
In same way in the lane of music, the musician has to disappear. The divinity cannot enter his music unless and until he disappears. These old masters including Pt. Rajan and Sajan Mishra, Pt. Suhas Vyas and many more musicians have surrendered themselves to their gurus, surrendered themselves music. The quality and aliveness in music comes out of this seurrender.
Indian classical music – What’s wrong today?
It can be seen that this submissive tendency is missing in many or rather most of today’s musicians. There are always exceptions. New generation artists like Rakesh Chaurasia and Ritesh and Rajnish Mishra give listeners a glimpse of this alive music.
The way ahead
This makes me think on the question- What makes Indian classical music distinct from other forms of music? Is it skills or practice or creativity? I think what separates Indian classical music is the difference in the attitudes. The correct attitude is the one where artists look at notes as something to be worshipped and not conquered. The attitude, where music is not a medium of being famous but a way to go in, a way towards serrenderedness. Realisation of this fact can revitalize the music, making it alive. I think we should always keep our ears open to what the masters in old days have sung and practiced.