When I listened to Shri. Milind Sheorey for the first time, I remembered what Pt. Shivkumar Sharma said in ‘Antardhwani’, a documentary made by national film archives exploring the journey of this Santoor Maestro.
A Guru should not look at sculpting dozens or hundreds of disciples. Even if you are able to create one or two disciples who can understand the music of Guru and then add something of their own to it, that is more than enough.
As my observation goes, this is quite true. Musicians cannot be bulk produced. At the same time, three factors play their role simultaneously. The first is disciple’s hard work- both as a musician and a human being, second is finding a Guru and the third and the last is the divine grace.
I feel, when all these three factors work out together positively, a great musician is born. It is quite clear that rarely something like this happens. It happened with Pt. Hariprasad Chaurasia, it happened with Pt. Nityanand Haldipur and yes, it is happening with Shri Milind Sheorey.
Gurumata Annapurna Devi- The river of knowledge
Gurumata Annapurna Devi, who is taking efforts beyond human capacity to transfer the treasures of knowledge which she has, is very lucky as far as getting disciples is concerned. I could meet and have a discussion with Pt. Hariprasad Chaurasia and Pt. Nityanand Haldipur. During our discussions with both the artists, we realized the tremendous efforts taken by Annapurna Ji and also the two disciples. Listening to Shri. Milind Sheorey made me realize that the chain does not end with these two artists.
Though Milind Sheorey learned music from same Guru, his style is very different than his two Gurubandhus. As Nityanandji had rightly said, Annapurna Ji crafted each disciple considering his personality and skills. As it is said, true Guru never forces his knowledge own disciples but tries to understand each disciple and cultivates him accordingly.
Being accepted as a disciple by Annapurna Ji is in itself a big thing- it certifies that you are honest with your art. Being accepted by a godly Guru is a difficult thing to happen. But, being with such Guru and trying to manifest her dreams is even more difficult. When a demanding Guru and a hardworking disciple comes together, the third factor has to come into the picture- the grace of the god.
Miilnd Sheorey and his Music
It is quite visible from Milind Ji’s performances that he plays Ragas which are generally not played on flute. It is a feast to listen to Ragas like Shuddha Kalyan, Puriya Dhanashree on flute which are generally played on string instruments. As one can imagine, the task is not that easy, I would say, it is not at all easy. Flute is a very different kind of instrument as compared to string instrument where the show is managed by artist’s breath.
Before this, I had listened to such ‘non flute’ Ragas being performed on flute but one could easily make out that something is missing and not fitting. When I gave a try to Milind Sheorey’s rendering, there was nothing missing. It had superb blend of stable breath, correct approach to play the notes, immense continuity.
I am sitting here, close to Annapurna Ji’s house, listening to Puriya Dhanashree, played by Shri. Milind Sheorey. It is a perfect evening, with winds blowing without any control and sea roaring. Milind Sheorey has reached to some different height, and his music is accommodating enough to take me also there, with him. The sun is about to collapse in the sea and the curtains are dancing. So are the notes, though a bit constrained by the rhythm.
Osho says music should bring you to your origin. It should make you look inside. That is what happening. At this time, I am experiencing the three factors pouring in- the hard work of this disciple, the perfect Guru and yes, the grace of the almighty, blowing around as wildly as these winds.
Please enjoy this rendering of Raga Kedar by Milind Ji-